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剧情简介
开麦拉狂想曲剧情介绍,A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and th本站提供《开麦拉狂想曲》免费在线观看，汤姆·迪西罗 导演，由史蒂夫·布西密 凯瑟琳·基纳 德蒙特·莫罗尼 丹妮埃尔·冯·泽内克 詹姆斯·勒格罗 Rica Martens 彼特·丁拉基 凯文·考利甘 Hilary Gilford Robert Wightman Tom Jarmusch 迈克尔·格里菲斯 Matthew Grace Ryan Bowker Francesca DiMauro 洛瑞·坦·齐恩 等领衔主演，《开麦拉狂想曲》类型为电影，对白语言为英语，《开麦拉狂想曲》全片(剧)时长90分钟分钟，以下为《开麦拉狂想曲》剧情简介：A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about. Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.简直笑疯。知道什么时候留下这个印象：跟拍电影有关的电影大多很好看。这部更是把这个印象加深了。平时也会主动找来看这类影片，还试着用“导演篇”“编剧篇”“演员篇”等等给它们分类，因为倾向性确实不一样。这个要算“剧组篇”了，因为非常全面，尤其是第一场戏，简直把片场“正常”出现的各种小毛病统统包括了。各种自黑，让影片节奏非常轻快，又适时煽情，反正情绪一直被调动着，我简直成了那个导演，跟着一起紧张一起down一起fighting，看第一幕里那段拍不下来的戏居然被美！哭！了。看出“电影是一种集体创作”，个体的力量有时非常强大，但有时又非常无奈，而向心的集体绝对是电影的保证。最后三十秒的“真实时间”跟“电影时间”开了一个玩笑。可见创作者真是把这些小花样玩熟了。Catherine Keener梦醒后非得把梦投射到现实中来，妹子们都这样，一厢情愿觉得人家跟自己做的是同一个梦一个烂片导演，一个N流女一，一个傻缺男一，一个多情制片，一个独眼DP，一个嬉皮大助，一个酱油二助，一个屌丝灯光，一个基佬收音，一个礼帽录音，一个易推场记，一个痴呆大妈，一个小恶魔，一个苦力司机，一个易怒场务，一个秃头化妆，一个亚裔服装，构成了这部超牛逼的美国独立电影。梦境、电影与现实的连环纠缠，用小小的片场放大了无处安放的焦虑，与大片厂黄金时代浮华截然不同的独立电影光辉岁月，苦乐并存。独立导演真心不易，掌控剧组殚精竭虑，台前幕后各尽其力，临场发挥纯看演技，黑白炫彩真实梦境，秒数计时人生如戏，昆汀光环你算个屁，编导专业参考神器。详情
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